The system most people mean by Chinese astrology proper is bazi,
"eight characters," also called the four pillars of destiny: the stem and branch of your
year, month, day and hour, laid side by side and read against one another. It has a
founding date that can be stood next to a grave. In 813 a palace censor named Li Xuzhong
died at fifty-two, was buried outside Luoyang, and had his epitaph written by his friend
Han Yu, the most celebrated prose writer of the Tang. Li was deep in the books of the five elements, Han Yu says, and
could take the stem and branch of a person's birth year, month and day, weigh which
elements were flourishing and which exhausted, and pronounce on long life or short,
honor or obscurity, fortune or its absence, missing not one or two cases in a hundred.
That is the earliest description of the method by a witness, and it has a hole in it
you could drive a cart through: three pillars, not four. There is no hour.
The hour, and the whole modern method, arrived in the Song, and we know because the
Qing dynasty's own librarians said so in print. When the compilers of the
Siku Quanshu, the imperial catalog of 1782, examined the book that circulates
under Li Xuzhong's name, they found its first half discussing the sixty pairs with no
birth hour anywhere, matching Han Yu's epitaph exactly, and its second half full of "the
four pillars," which, they wrote, is a method that in fact arose in the Song. Somebody
had stitched a newer system onto an older name. The catalog printed the book anyway, and
flagged the forgery paragraph by paragraph. Their entry on a second text says the same
thing more bluntly: at the time of Li Xuzhong the reckoning still began only from the
year, month and day; there was not yet any such thing as "eight characters."
The name attached to the Song upgrade is Xu Ziping, and here the record does something
the fortune-telling websites never mention. The same catalog says Ziping's life cannot
be traced, that his method is nonetheless what the whole trade follows, and that
reckoning the eight characters is called "Ziping" simply because of him. It then reports
the story that went round about him, that he was a hermit who hid on Mount Hua with the
Daoist immortal Lü Dongbin and with Chen Tuan, and dismisses it in one sentence: of the
sayings of the diviners' trade, not one in a hundred is true, and there is no way to
press them. What Ziping's method actually changed is the thing that makes bazi bazi.
Li Xuzhong read a life from the year. The Song method reads it from the
day, the stem of the day you were born, and
treats the other seven characters as the weather around that one. The
Yuanhai Ziping, the founding manual of the school, sets the rule, and every
reading since has followed it, including the one walked
through step by step on this site.
The book that settled the method for everyone after was the Sanming Tonghui
of 1578, twelve chapters by a Ming official named Wan Minying, and the Qing catalog's
verdict on it is the best one-line history of the subject: since the Ming, everyone
discussing fate has used it as the compendium, and nearly every household owns a copy.
The same entry notes, with a librarian's sigh, that some of its theories, applied today,
frequently fail to verify. That sentence was written in 1782. It is where the last
section of this page begins.