Start with the one that is unambiguously jade. Black nephrite has been coming out of the
rivers at Khotan, on the southern edge of the Taklamakan desert, for as long as white
nephrite has, and the Gems & Gemology survey of the jade trade records that
the Chinese recovered nephrite from both the White Jade River and the Black Jade River
there.
Which makes a passage in the Tiangong Kaiwu, the great 1637 survey of Chinese
crafts, rather funny. Its author, Song Yingxing, describes the two rivers at Khotan as the
White Jade River and the Green Jade River, and then adds that an earlier envoy's account of
the western regions mentions a Black Jade River, and that this is nonsense. It is not
nonsense. The river is there, and black nephrite comes out of it. Song Yingxing's mistake tells you something true, though: in his
two-color scheme of jade, white and green, black simply had no seat at the table.
What makes it black is not a mystery anymore. A 2023 study in the journal
Minerals of black nephrite from Xinjiang, the region Khotan sits in, found the
stone to be essentially two things, tremolite and graphite: the ordinary fibrous felt of
nephrite, with crystals of the same carbon that goes into a pencil grown all through it.
That is why a good piece of black nephrite sometimes shows a faint metallic glint when you
tilt it, and why it stays black under a torch. Graphite does not transmit light. Hughes and
his co-authors note that graphite is also what darkens some of the gray-to-black jadeite,
so the pencil-lead explanation covers a good deal of the black in the market.
The Chinese trade calls this mo yu, ink jade, and the best of it has the same
dense, warm, waxy hand as the mutton-fat white it comes out of the same rivers with.
Everything on our page about what jade has meant in China is
nephrite, and the black kind has been part of that story from the start.